GREAT WRITERS

OSCAR WILDE 

Oscar Wilde was born in 1854 in Dublin, Ireland, to prominent intellectuals William Wilde and Lady Jane Francesca Wilde. Though they were not aristocrats, the Wildes were well-off, and provided Oscar with a fine education. Oscar was especially influenced by his mother, a brilliantly witty raconteur, and as a child he was frequently invited to socialize with her intellectual circle of friends.

Wilde entered Trinity College in 1871 and focused his academic studies on the classics and theories of aestheticism. In 1874, he transferred to Oxford and studied under the divergent tutorials of John Ruskin (a social theorist and Renaissance man) and Walter Pater (a proponent of the new school of aestheticism). Wilde negotiated their conflicting philosophies as his personal life developed. He also experimented with cutting-edge fashion and experimented with homosexuality.

Upon graduating from Oxford, Wilde had a brief flirtation with Catholicism, but his independent orientation toward the world prevented an exclusive attachment to religion. In 1881, he published his first volume of verse (Poems), and he became famous enough to be satirized in a Gilbert and Sullivan comic opera. He moved to Chelsea, an avant-garde neighborhood in London, but his father's death and the family's snowballing debts forced him to embark on a lecture tour of the United States in 1882. Upon arriving at customs, Wilde made his now-famous statement: "I have nothing to declare except my genius." On tour, he dressed in a characteristically flamboyant style. He advocated for the philosophy of the Aesthetic: art should exist solely for art's sake, or, as he wrote elsewhere, it should be "useless." While on tour in New York, Wilde also produced his first, unsuccessful play, Vera.

In 1884, Wilde married a shy and wealthy Irishwoman named Constance Lloyd, and the two moved into a posh house in London. Wilde briefly edited Woman's World magazine while writing a collection of fairy tales and a number of essays (collected later as Intentions, 1891,) which elaborated his unique approach to Aestheticism, a movement with which he was rather reluctant to associate himself. While Wilde had been socially and professionally linked to confirmed aesthetes such as Max Beerbohm, Arthur Symons, and Aubrey Beardsley, he was an open critic of the kind of reductive aesthetic philosophy expressed in the famous journal The Yellow Book. Preferring to explore his own thoughts about art and politics through idiosyncratic readings of Plato, Shakespeare, and contemporary painting, Wilde's social circle featured a diverse cast of characters, among them poets, painters, theater personalities, intellectuals, and London "rent boys" (male prostitutes). His closest friend, however, remained the Canadian critic and artist Robert Ross, who at times handled Wilde's publicity and acted as Wilde's confidant in his professional and personal affairs.

Throughout the 1890s, Wilde became a household name with the publication of his masterpiece novel, The Picture of Dorian Gray, a Faustian tale about beauty and youth, as well as a string of highly successful plays, including Lady Windermere's Fan (1892), the Symbolist melodrama Salome (1892), A Woman of No Importance (1893), and An Ideal Husband (1895). His last play, The Importance of Being Earnest (1895), among his greatest, is considered the original modern comedy of manners. By this time, Wilde's extravagant appearance, refined wit, and melodious speaking voice had made him one of London's most sought-after dinner party guests.

In 1891, Wilde became infatuated with the beautiful young poet Lord Alfred Douglas (known as "Bosie"). The dynamic between Bosie and Wilde was unstable at the best of times, and the pair often split for months before agreeing to reunite. Still, the relationship consumed Wilde's personal life, to the extent that the sexual nature of their friendship had become a matter of public knowledge. In 1895, Douglas's father, the Marquess of Queensbury, accused Wilde of sodomy. Wilde replied by charging Queensbury with libel. Queensbury located several of Wilde's letters to Bosie, as well as other incriminating evidence. In a second trial often referred to as "the trial of the century," the writer was found guilty of "indecent acts" and was sentenced to two years of hard labor in England's Reading Gaol.

In 1897, while in prison, Wilde wrote De Profundis, an examination of his newfound spirituality. After his release, he moved to France under an assumed name. He wrote The Ballad of Reading Gaol in 1898 and published two letters on the poor conditions of prison. One of the letters helped reform a law to keep children from imprisonment. His new life in France, however, was lonely, impoverished, and humiliating.

Wilde died in 1900 in a Paris hotel room. He retained his epigrammatic wit until his last breath. He is rumored to have said of the drab establishment that between the awful wallpaper and himself, "One of us has to go." Critical and popular attention to Wilde has recently experienced a resurgence; various directors have produced films based on his plays and life, and his writings remain a wellspring of witticisms and reflections on aestheticism, morality, and society.

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SHAKESPEARE'S LIFE 

BIRTH & CHILDHOOD 

William Shakespeare was probably born on about April 23, 1564, the date that is traditionally given for his birth. He was John and Mary Shakespeare's oldest surviving child; their first two children, both girls, did not live beyond infancy. Growing up as the big brother of the family, William had three younger brothers, Gilbert, Richard, and Edmund, and two younger sisters: Anne, who died at seven, and Joan.

Their father, John Shakespeare, was a leatherworker who specialized in the soft white leather used for gloves and similar items. A prosperous businessman, he married Mary Arden, of the prominent Arden family. John rose through local offices in Stratford, becoming an alderman and eventually, when William was five, the town bailiff—much like a mayor. Not long after that, however, John Shakespeare stepped back from public life; we don't know why.

Shakespeare, as the son of a leading Stratford citizen, almost certainly attended Stratford's grammar school. Like all such schools, its curriculum consisted of an intense emphasis on the Latin classics, including memorization, writing, and acting classic Latin plays. Shakespeare most likely attended until about age 15.

Marriage and children

A few years after he left school, in late 1582, William Shakespeare married Anne Hathaway. She was already expecting their first-born child, Susanna, which was a fairly common situation at the time. When they married, Anne was 26 and William was 18. Anne grew up just outside Stratford in the village of Shottery. After marrying, she spent the rest of her life in Stratford.

In early 1585, the couple had twins, Judith and Hamnet, completing the family. In the years ahead, Anne and the children lived in Stratford while Shakespeare worked in London, although we don't know when he moved there. Some later observers have suggested that this separation, and the couple's relatively few children, were signs of a strained marriage, but we do not know that, either. Someone pursuing a theater career had no choice but to work in London, and many branches of the Shakespeares had small families.

Shakespeare's only son, Hamnet, died in 1596 at the age of 11. His older daughter Susanna later married a well-to-do Stratford doctor, John Hall. Their daughter Elizabeth, Shakespeare's first grandchild, was born in 1608. In 1616, just months before his death, Shakespeare's daughter Judith married Thomas Quiney, a Stratford vintner. The family subsequently died out, leaving no direct descendants of Shakespeare.

London theater

For several years after Judith and Hamnet's arrival in 1585, nothing is known for certain of Shakespeare's activities: how he earned a living, when he moved from Stratford, or how he got his start in the theater.

Following this gap in the record, the first definite mention of Shakespeare is in 1592 as an established London actor and playwright, mocked by a contemporary as a "Shake-scene." The same writer alludes to one of Shakespeare's earliest history plays, Henry VI, Part 3, which must already have been performed. The next year, in 1593, Shakespeare published a long poem, Venus and Adonis. The first quarto editions of his early plays appeared in 1594. For more than two decades, Shakespeare had multiple roles in the London theater as an actor, playwright, and, in time, a business partner in a major acting company, the Lord Chamberlain's Men (renamed the King's Men in 1603). Over the years, he became steadily more famous in the London theater world; his name, which was not even listed on the first quartos of his plays, became a regular feature—clearly a selling point—on later title pages.

Final years

Shakespeare prospered financially from his partnership in the Lord Chamberlain's Men (later the King's Men), as well as from his writing and acting. He invested much of his wealth in real-estate purchases in Stratford and bought the second-largest house in town, New Place, in 1597.

Among the last plays that Shakespeare worked on was The Two Noble Kinsmen, which he wrote with a frequent collaborator, John Fletcher, most likely in 1613. He died on April 23, 1616—the traditional date of his birthday, though his precise birthdate is unknown. We also do not know the cause of his death. His brother-in-law had died a week earlier, which could imply infectious disease, but Shakespeare's health may have had a longer decline.

The memorial bust of Shakespeare at Holy Trinity Church in Stratford is considered one of two authentic likenesses, because it was approved by people who knew him. (The bust in the Folger's Paster Reading Room, shown at left, is a copy of this statue.) The other such likeness is the engraving by Martin Droeshout in the 1623 First Folio edition of Shakespeare's plays, produced seven years after his death by his friends and colleagues from the King's Men.

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